The Music from "The Connection" | ||||
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Soundtrack album / studio album by the Freddie Redd Quartet with Jackie McLean | ||||
Released | Early April 1960 [1] | |||
Recorded | February 15, 1960 | |||
Studio | Van Gelder Studio Englewood Cliffs, New Jersey | |||
Genre | Hard bop | |||
Label | Blue Note BLP 4027 | |||
Producer | Alfred Lion | |||
Freddie Redd chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [2] |
The Penguin Guide to Jazz Recordings | [3] |
The Music from "The Connection" is an album by the Freddie Redd Quartet, recorded as the soundtrack for Jack Gelber's 1959 play The Connection on February 15, 1960 and released on Blue Note later that year. The quartet features saxophonist Jackie McLean and rhythm section Michael Mattos and Larry Ritchie.
Jack Gelber originally planned for the play to feature improvised music performed by jazz musicians who would also play small roles in the production. Freddie Redd however persuaded Gelber to include his original score. [4] Redd recorded his score again later in 1960 as Music from the Connection .
Blue Note Records is an American jazz record label owned by Universal Music Group and operated under Capitol Music Group. Established in 1939 by German-Jewish emigrants Alfred Lion and Max Margulis, it derived its name from the blue notes of jazz and the blues. Originally dedicated to recording traditional jazz and small group swing, the label began to switch its attention to modern jazz around 1947. From there, Blue Note grew to become one of the most prolific, influential and respected jazz labels of the mid-20th century, noted for its role in facilitating the development of hard bop, post-bop and avant-garde jazz, as well as for its iconic modernist art direction.
John Lenwood McLean was an American jazz alto saxophonist, composer, bandleader, and educator. He is one of the few musicians to be elected to the DownBeat Hall of Fame in the year of their death.
Harold Floyd "Tina" Brooks was an American jazz tenor saxophonist and composer best remembered for his work in the hard bop style.
Larry Ritchie was an American jazz drummer and record/CD producer. He was born in Brooklyn, New York as Lawrence Ritchie to Walter Ritchie, an electrician, and Pearl Ritchie, a domestic worker, both of whom were migrants from rural Virginia.
Freddie Redd was an American hard-bop pianist and composer. He is best known for writing music to accompany The Connection (1959), a play by Jack Gelber. According to Peter Watrous, writing in The New York Times: "Mr. Redd hung out at jam sessions in the 1950s and played with many of the major figures, Sonny Rollins to Art Blakey, and worked regularly with Charles Mingus. When things got tough, he just moved on, living in Guadalajara, Mexico, and in Paris and London."
The Connection may refer to:
Byrd in Hand is an album by American jazz trumpeter Donald Byrd recorded on May 31, 1959 and released on Blue Note later that year.
The Connection is a 1961 feature film directed by the American experimental filmmaker Shirley Clarke. The film was Clarke's first feature; she had made several short films over the previous decade. Jack Gelber wrote the screenplay, adapting his play of the same name. The film was the subject of significant court cases regarding censorship. It is the first known movie shot in the found footage format and beginning with a found footage title card.
The Connection is a 1959 play by Jack Gelber. It was first produced by the Living Theatre, directed by Living Theatre co-founder Judith Malina, designed by co-founder Julian Beck, and featured music by jazz pianist Freddie Redd.
1958 Miles is a compilation album by American jazz musician Miles Davis, released in 1974 on CBS/Sony. Recording sessions for tracks that appear on the album took place on May 26, 1958, at Columbia's 30th Street Studio and September 9, 1958, at the Plaza Hotel in New York City. 1958 Miles consists of three songs featured on side two of the LP album Jazz Track, which was released in November 1959, one song from the same session not appearing in the album, and three recordings from Davis' live performance at the Plaza Hotel with his ensemble sextet. The recording date at 30th Street Studio served as the first documented session to feature pianist Bill Evans performing in Davis' group.
Peckin' Time is an album credited to American jazz saxophonist Hank Mobley and trumpeter Lee Morgan recorded on February 9, 1958 and released on Blue Note the following year. The two are backed by rhythm section Wynton Kelly, Paul Chambers, and Charlie Persip.
Concorde is an album by the Modern Jazz Quartet, recorded in New York on July 2, 1955, and first released that year as an LP, Prestige 7005, with liner notes by Ira Gitler. The album was reissued in 2008 as part of the Rudy Van Gelder Remasters collection.
Music from The Connection is a jazz album by trumpeter Howard McGhee recorded on June 13, 1960, and released on the Felsted label. It features performances by McGhee, Tina Brooks, Freddie Redd, Milt Hinton and Osie Johnson. The album featured music from the off-Broadway play The Connection by Jack Gelber, featuring music composed by Redd. A slightly earlier recording of the same score by the Freddie Redd Quartet with Jackie McLean, The Music From "The Connection", was issued by Blue Note.
Swing, Swang, Swingin' is an album by American saxophonist Jackie McLean recorded in 1959 and released on the Blue Note label. McLean's quartet features rhythm section Walter Bishop Jr., Jimmy Garrison and Art Taylor.
Shades of Redd is an album by American pianist Freddie Redd recorded in 1960 and released on the Blue Note label.
Redd's Blues is an album by the American pianist Freddie Redd, recorded in 1961 but not released on the Blue Note label until 1988.
Art is an album by trumpeter Art Farmer, featuring performances recorded in 1960 and originally released on the Argo label. Farmer stated in 1995 that the album, which consists mainly of ballads, was his favorite.
Triple Threat is the fourth album by saxophonist Jimmy Heath featuring performances recorded in 1962 originally released on the Riverside label.
Strange Blues is an album by American saxophonist Jackie McLean, recorded in 1957 and released on the Prestige label. It features three tracks with McLean in a quartet featuring pianist Jon Mayer, bassist Bill Salter and drummer Larry Ritchie, one with a quartet featuring pianist Mal Waldron, bassist Art Phipps and drummer Art Taylor and one with a quartet featuring pianist Gil Coggins, bassist Paul Chambers and drummer Louis Hayes. Trumpeter Webster Young and tuba player Ray Draper appear together on two tracks.
The Jazz Messengers were a jazz combo that existed for over thirty-five years beginning in the early 1950s as a collective, and ending when long-time leader and founding drummer Art Blakey died in 1990. Blakey led or co-led the group from the outset. "Art Blakey" and "Jazz Messengers" became synonymous over the years, though Blakey did lead non-Messenger recording sessions and played as a sideman for other groups throughout his career.
"Yes sir, I'm gonna to stay with the youngsters. When these get too old, I'm gonna get some younger ones. Keeps the mind active."